Important GUS info

Global Underscore 2017
Saturday, June 24, 5:00-9:00 pm (Estonia, UTC+3, GMT+3)
10:00 am-2:00 pm (New York City, ET)

Get the GUS 2017 Packet in 2 ways: PDF or:

GUS Packet google doc (without GUS 2017 MAPS) +
GUS 2017 MAPS google doc


Click HERE to find a GUS site to dance at!

The Amsterdam Jam Global Underscore, a little experiment


It has already been almost a month since the Global Underscore; sorry this contribution is so late. Also it is a pity we did not take pictures, but... we did turn the day into a successful little experiment in Amsterdam:
 

The G.U.S. worldwide timing happened to almost match our weekly Saturday Amsterdam Jam

So for this occasion we had extended the open jam time, to offer the possibility to dance a full Underscore in coexistence with this regular jam.


Everything about the Underscore was optional. It is important that one could still also just jam like any given Saturday; join and leave whenever you liked etc. ...because I believe the regularity of this jam to be the life-blood of CI in Amsterdam or even The Netherlands. Only we asked everyone who would be dancing at 19:15 to join in finding the “resolution of the whole room”, an ending of the dance, together…which worked out beautifully.


The class before the jam transistioned into the assembly. After this the talk-through was held in the hall-way, where an annotated version of the Underscore's phases/states and meetings hung on the wall, so that the regular jam could start undisturbed.
Inside the jam-space copies of the same A4's (but without the annotation) were hanging from slacked lines, like washing-lines or birthday-day decorations of the room: the Underscore's phases in red, the meetings in yellow, and the anytime all-of-the-time aspects were mixed in on blue A4's where the two lines crossed. It all in all looked joyously festive.
The centre of the room was marked with a piece of tape; from there the NESW directions were marked on the walls. (I myself really enjoyed this idea: it really gave me a feeling of global orientation in the jam, knowing / noticing when I moved North, or East ...toward Germany ...or toward the 'South-side' or the 'West-side' of the jam : )
Just off to the left of the West-A4, hung an A3 with information and pictures of the location of the Toronto GUS-site, taken from the internet ...Also thanks to this / internet I feel like Vivek Patel and I became distant friends on this day. Likewise, just to the right of the East-A4 hung information about the Leipzig site... I already knew Uli personally!


Amsterdam Jam G.U.S. dancers
In the “sharing/thanksgiving” at the end, we were still a big group: Amit Azaz, Joshua Pieter, Mischa van Dullemen, Katie-Lee Weille, Masta, Hannah Dye, Claudia Kratzheller, Alex Weinstein, Tim, Monika Forster, Diederik, Thijs Mullink, Michèle, Nora, Sebas van Wetten, Lieke van Heck, Kees Lemmens ...and many more Amsterdam Jam dancers were with us today but didn't have the time to stay for the whole Global Underscore. 
Central inside the studio hung the GUS Google-maps of the world and these 3 green A4 with the main timings of the day (which were also
hanging in the hall-way and in the "birthday-decoration" of the studio.) Everything was optional, only of those of us dancing at 19:15 in this
we did ask to all join the final resolution of the room.


Sharing ...fruits of the Harvest: In the sharing there was lots of praise for Nancy Stark Smith's Underscore. ... The dancers had enjoyed the overall focus it brought to the dancing, and that dances link together in it so that it didn’t feel like a collection of separate dances …the unity of experience and the experience of a unity.

Also the interesting interplay between an understanding at “word-level” and the physical experience of it all was mentioned explicitly as well as implicitly more than once...

Several dancers particularly recounted that powerful moment of the first ‘stand’ at 16:50, the first Small Dance of today’s Global UnderScore. ...NB Also this stand had been optional: it was certainly allowed, even welcome, to just jam on and stick with your momentary dance in the regular jam during these few minutes. Yet the stand did bring up and draw together everyone in the room and we were eventually all standing, facing generally East toward Leipzig Germany. (At the moment of the sharing, we of course hadn't yet faced Toronto too.) I really liked how one duet in front of everyone standing went on, for a long time in an extended lift. I could just imagine they would just dance on, and that would also have been beautiful, but then they found an even more beautiful way to transition: to standing, only just leaning together lightly still, and eventually each into their own individual small dance ...with the rest of the world.

If there is confluence of ideas: The Underscore and the Amsterdam Jam did confluence on the day of the GUS ! ...or maybe it was only a tangential moment: after all aren't we already, the other 51 weeks, and each year, the Saturday Amsterdam Jam. Anyway: it did feel to me like worlds were coming together, or like we came together with The World ...and some new dancers have been introduced to the idea of the Underscore.

My conclusion, based on my own experience and the sharing:

All in all it was clear that the Underscore had very much been experienced as an Underscore, and that the GUS had been experienced as a special occasion. This had been the intention, of course, yet it still pleasantly surprised me or relieved me: I had always thought one of the decisive factors of an Underscore feeling like an Underscore is that, differently from many jams, everyone is in it for the whole duration from the start to the end. It probably indeed is. And of course this group at the sharing had been. But it was good to find out that also through the coming and going of the other Amsterdam Jam dancers, we all had experienced very clearly an Underscore. ...I personally believe the (Global) Underscore this year could flourish better than ever in Amsterdam, thanks to this coalition with the weekly Saturday Amsterdam Jam: the jam had a brought more dancers together than it, or maybe either, would have done on its own …The regular jam as such had a positive influence on the Underscore, and I think also the other way around: more than a co-existence, it has been a successful symbiosis. Of course "symbiosis" or "confluence" is relative here: because we already were and still are, all of us, the Saturday Amsterdam Jam ! _________________________

It's been a joy again to occasionally do something extra with and around the Amsterdam Jam +It is inspiring me to do something such again in the future... Thank you all very much!

Kees Lemmens,  18th of July 2017

Flyer-fronts of the four "Amsterdam 4-day CI weekends", as organised around the Saturday Amsterdam Jam between 2013 and 2016. [Besides these also smaller things such as Christmas & New Year Jams were organised around this jam, and a 12:00-24:00 experimental jam-plus-workshop-Sunday for which the CI-community and some teachers from Brussels/Belgium were invited in 2014.] ... Hopefully another, similar but different, international event can be organised around the Amsterdam Saturday Jam again soon: probably in 2018











 

GUS Vienna 2017 - Harvest

GUS Vienna 2017

Participants
Angela Püskül – AT
Ina Sattlegger – AT
Judit Keri – HU/AT
Julia Pointner – AT
Dany Rossi – AT
M.T. - AT
Georg Maché – AT
Lucia Schmid – AT
Sebastian Schubert – AT

Harvest (transcribed by Lucia)

G.:
Doing the small dance in the direction of West I was a lot more relaxed an silent than facing East. Doing the Underscore I´m focused while dancing. I enjoyed a lot that we had so much space (we were only a few people in the space this time). I felt being part of and embeded in the group and I felt being part of something bigger and greater.

S.:
Due to the hot temperature (more than 30 degrees) and seeing people moving very slowly I got the impression of slow motion pictures. It was a special atmosphere. The sounds coming in through the open windows (voices of talking people, children, birds, ...) and the wind contributed to this athmosphere. I really like the room we're in, it feels very pleasant.


A.:
Dancing the small dance I asked myself: how small can the movement be? how slow can the movement be? The small dance was a helpful and valuable tool throughout this underscore.
I remember using the "idiot button" in a similar way several years ago.... The underscore brings more consciousness for the space, the whole group and the movements and movement-themes of one are material for the dance of others

J.:
I was thankful/grateful for the movement of others in the space. I wasn´t actually moving for a long time; The underscore creates consciousness for the group, I was in touch with everyone at least once during this underscore - via overlapping kinespheres, dancing, watching.... I experienced zooming in very deeply and zooming out very far. For me it was so essential and important to hear and learn about „the gap“ many years ago - it made me a lot more safe to know about "place".


D.:
I thought the time structure would be too long for me, but actually the time passed quickly for me. I came here to find out more about the underscore because from earlier experiences I felt there are more limitations to my dancing within the underscore than on „normal“ jams. This time I experienced that the underscore opened up more possibilities for improvisation and I saw offers/deals also in the direction of performative ways... I got more consciousness of the group, of colours and compositions.
I liked the experience and I want to do the underscore again.

I.:
The structure of the underscore helps to get more in contact with myself; the structure supports this in a very smooth way... when you are more at home inside yourself and in contact with yourself it also leads you to being more conscious in the space and being aware of the group. the dance becomes more specific, indiviual and vivid/lively.

J.:
I saw beautiful pictures when watching...it was like watching a performance. I had nourishing dances and I felt my energy getting less during the underscore. I took this situation as an exercise to stay present where I am and how I am. Finally the time passed quicker than I thought it would.

M.:
We are practising and dancing contact improvisation regularly in this room since 1990. The underscore, the commitment for a common structure, gives a chance to experience the group...the group is developing/arising together... it´s not the underscore that is doing this, it is us when we agree and commit on working on something together...it is something natural and we didn´t prevent it from happening. I see the jams as practice and the underscore as ritual.

---

Harvest: Global UNDERSCORE 2017 Hong Kong

Blank Space Studio

24 June
8pm Talk-through by Arvin Cheng
10pm-2am GMT+8 GUS
10:50pm opening 5 min global Small Dance facing New York City, NY USA
1:55am closing global Small Dance facing Vienna, Austria

Participants (from begin to end):
Felix Yuen, Ha Yat Sing, Cesar Yael Velez, Winston Lau, Wan Ho Wai, Alison Leung, Daniel Leung, Arvin Cheng

fb event page:
https://www.facebook.com/events/1966541263632771/

a video clip:
https://m.facebook.com/story.php?story_fbid=1985020468394621&id=100006600604424






Barcelona Harvest

Un año mas, ENEstudio celebró el Global Underscore. Este año coincidió con una celebración local muy típica e importante en Barcelona. Iniciamos la estructura 15 personas en una ola de calor en la ciudad que nos envolvía a nosotros... nada pudo con nosotros, nos enfocamos, practicamos, bailamos y bailamos una vez mas. 
Gracias   

One more year, ENEstudio celebrated Global Underscore. This year coincided with a very typical and important local celebration in Barcelona. We started the structure 15 people in a heat wave in the city that enveloped us ... nothing pushed us back, we focused, practiced, danced and danced once more.
Thank you






Facing: Monterrey, Mexico  >> 
Ciudad de México  


ENEstudio Barcelona.  Barcelona, Spain 





Passatge Sant Antoni Abad, 11. 08015  BCN  
(El pasaje está a la altura de Comte d´Urgell 13) 







Harvest 
Bonn, Germany




We were a nice group of 19 people, taking a warm dancing bath in the music of Barnaby Tree, globally grounded and happy.

goosebumps during the introduction of the underscore, very well conscious of everyone else doing it, synchronizing already
we were fascinated that so many (55! what a nice number!) sites took part all over the world.
felt very deeply grounded during opening small dance facing china
the word diversity came clear to my mind, watching out of the window and noticing that before every window stands a different tree
feel touched and happy
guter Grundton

warm, quiet soft, present atmosphere, created by the wonderful cello played by Barnaby



space
viel Raum
music was very offering
friendly carpet
kam mir erst lang vor, dann war es kurz
viel Zeit haben ist guuuuut (having a lot of time is gooooood)
hervorhebung des politischen Aspekts fand ich gut (to accentuate the political aspect was good)
erst viel Information und dann konnte ich ganz bei mir sein (a lot of information at first, but then i could be fully present with myself)

facilitated by Tanja Striezel, Bonn, Germany with a big thank you to the organizers

Singapore Harvest

The first Singapore Underscore:
Jaycee Ho, Pat Toh, Kai Eng, Neo Jialing, Chia Jit Kiat Vincent, Daisy Zhao, Denise Lim, Tay KH, Virile Tan, Louis Chong, Chloe Chotrani, Felicia Lim, Celine Lim, Graeme Ford, Chen Jiexiao, Dodya, Jocelyn Chng, Chong Gua Khee, Sze
 Make It Share It Studio, Paya Lebar, Singapore
 10pm 24 June-2am 25 June 2017

Opening Facing: Campinas, Brazil
Closing Facing: Malaga, Spain









Underscores always surprise me. Dancing makes things possible.

Sometimes, when you let go instead of being so focused, your subconscious mind can have a mind of its own and something else can pop up.

I like that we are making a community now by degrees and it makes a bigger community in the world.

I witnessed so much of all of you celebrating with your spirits and bodies and it was very inspiring.

I had an image that we were in the mountains and the air was really clear, and you were all still dancing.

I set the objective to dance with everyone, and failed. I told myself I would be in the small dance for five minutes, and I failed.

Connecting - Reconnecting - Disconnecting.

I find tremendous freedom here.

Instead of dancing a lot in this space as I usually do, today I found myself watching a lot, enjoying a lot in this passive way, and participating by watching. When I go home tonight I will maybe still be dancing with all of you.

Colheita Campinas Brasil

💪Participantes: 
Regina Lima
Ligia Rodrigues Spedaletti
Lucas Rosseto
Gabriel Lorca
Fabio Camolesi
Mariana Colombo
Rodrigo Faria
Daniela Zaia
Dante Moretti
Raquel Galvani
Rafael Barzagli Oliveira
Bibiana Marques
Marília Carneiro (facilitadora)

Facing: Cape Town & Singapore









Estávamos em 13 improvisadorxs de diferentes cidades do interior paulista (Campinas, Piracicaba, Hortolândia, São José dos Campos) e até do Rio Grande do Sul e da capital do Mato Grosso.
Há vários anos estudo o UnderScore com os estudantes e colegas que praticam comigo, mas foi a primeira vez que realizamos o Global UnderScore no nosso espaço. Em outros anos fomos para Sampa. Vivemos expansão!
Foi uma experiência intensa que se revela no LIVE HARVEST dos participantes.
Thanks Nancy, Mike, and all you dancers! See you soon!
Marília Carneiro



Colheita Florianópolis, Brasil


Participantes:
Felipe Ferreira Ferro
André Reali Olmos
Marcela Micheli Arantes
Alejandro Lancellotti
Amanda Gois
Fernanda Nicollazzi
Ana Alonso
Everton Lampe de Araújo
Nádia Brasil
Talita Delfino G. da Silva
Marcela F. Ribeiro
Karin, T. Flores